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So here’s the thing about Batman: he’s got a lot of comics published about him. Like, a lot. DC Comics has been publishing a comic under the Batman title continuously since 1940, and that doesn’t even begin to touch his history in the Detective Comics title (published since 1939) or any of the many other stories that bear his name.

If you want to read Batman comics, it can be intimidating! I get it. That’s a lot of single comic issues to find and read. This is an updated guide to a list I made a bit over a year ago, which aims to catalog collections of the Batman title published between the Crisis on Infinite Earths story (which concluded in 1986) and Flashpoint (which was in 2011). This era is called, with some interchangeability, “New Earth,” “post-Crisis,” “pre-reboot,” or “pre-Flashpoint.”

You may look at that and have a few questions. Just the Batman title? And why only a 25 year span? The first answer is practicality. If I tried to list out every Batman story, we’d be here forever. We’re going to start with his main, self-titled comic and move from there. As for the time period, Crisis on Infinite Earths was a company-wide effort to give characters new histories and stories. This ushered in a new status quo for Batman that set the stage for some of his most iconic stories. Flashpoint was another one of these company-wide reboots, completely resetting Batman (and the whole DC universe) in The New 52. A lot of what we now consider “classic” Batman stories come from this period in between the two resets. This is not to disparage current comics, but merely to comment on the fact that once an era has ended it’s easier to evaluate… and to collect into trade.

Because the (subjective) truth is that collections make it easier to read comics. Why track down five to twelve individual parts to a story when you can buy one book that puts it all together? This is doubly true if the story crosses over with other comics. The trouble is, some stories and their collections are quite famous, while others are less so. That is why this guide exists.

Ultimately, this catalog aims to help present the most complete list of collections of the Batman titles, published between 1986 and 2011, that I can provide. I subscribe to the fourth law of library science, to save the time of the reader, and I hope this list can help make the density of Batman more approachable.

401: Batman #401 is the first Batman comic clearly published in the post-Crisis continuity. It’s collected in 2024’s DC Finest: Batman Year One & Two. It follows up a story presented in The Man of Steel #3 (1986), and that Man of Steel story is collected in Superman: The Man of Steel Vol. 1, which was published in 2020. 

402-403: These two stories are collected in Batman: Second Chances, published in 2015, and DC Finest: Batman Year One & Two published 2024.

404-707: This is the Batman: Year One story that has been collected under the same name more times than I can count. Year One is perhaps the most famous Batman story of all time, and was a flashback to the beginning of Batman’s career, establishing his history in the new post-Crisis world.

408-416: These stories continue to tell the story of Batman back up to the present, and are collected in Batman: Second Chances. Jason Todd, who was Robin back in Batman #401-403, has his backstory explained in these issues. You can also read up to #412 in DC Finest: Batman Year One & Two.

417-425: These stories are collected in Batman: The Caped Crusader Vol. 1, published in 2018. The Caped Crusader books are a series that aims to collect a lot of the 80s and 90s Batman titles, which is great! DC also published a sister series, Batman: The Dark Knight Detective, that would collect the Detective Comics stories. Alternatively, you could read this run up to #422 in DC Finest: Batman - The Killing Joke and Other Stories, which is set to be published in 2025.

426-429: This is the A Death in the Family story, which saw (30 year old spoilers ahead!) the Joker kill Jason Todd. A Death in the Family is one of the famous stories that has been published over and over, but I recommend getting one of the newer editions that includes the sequel story.

430-431: Collected in Batman: The Caped Crusader Vol. 1, published 2018.

432-439: These are collected in Batman: The Caped Crusader Vol. 2, published in 2019.

440-442: I mentioned above that later editions of A Death in the Family included the sequel story. This is that sequel, “A Lonely Place of Dying.”

443-444: These are the last two issues collected in Batman: The Caped Crusader Vol. 2, and officially brings us into the 1990s!

445-454: This entire swath is collected in 2019 as Batman: The Caped Crusader Vol. 3, which is handy.

455-465: Featuring the debut of Tim Drake as Robin, this whole chunk is collected as Batman: The Caped Crusader Vol. 4, collected in 2020.

466-473: Collected in 2020 as Batman: The Caped Crusader Vol. 5

474: This is the first part of “The Destroyer,” a story told in three parts across three different titles. This issue is collected in Batman: The Dark Knight Detective Vol. 7, collected in 2023. I mentioned this series above as being the parallel collection for the Detective Comics title. Detective Comics, often shortened to ‘Tec, tends to have more Robin in it, as opposed to the more strictly-Batman focused Batman.

475-483: These make up Batman: The Caped Crusader Vol. 6, which was published in 2022. It was the last of the Caped Crusader series, because we had a new event to start!

484-491: These stories were collected in 2018 as Batman: Prelude to Knightfall. This was part of the major recollecting and republishing of the entire Knightfall saga for the 25th anniversary. Alternatively, you can read this  in the Knightfall Omnibus: Volume One, published 2017 and reprinted in 2023.

492-497: This is the first part of the main Knightfall arc, and the issues were collected in 2018 in Batman: Knightfall Vol 1 - The 25th Anniversary Edition. Again, you can also read this in the Knightfall Omnibus: Volume One.

498-500: These are collected in 2018’s Batman: Knightfall Vol 2 - The 25th Anniversary Edition. Don’t let the seemingly slim collection size fool you, these books are collecting a lot of different titles. The Knightfall saga was a huge crossover. And of course, you could read this run in the Knightfall Omnibus: Volume One

501-504: A new arc in the Knightfall saga, this was collected in 2018 as Knightquest: The Crusade Vol 1. These stories were also collected in Knightfall Omnibus Volume Two - The Crusade, first published in 2018 and republished in 2025.

505-508: Collected in 2018 in Knightquest: The Crusade Vol. 2. Also available in Knightfall Omnibus Volume Two - The Crusade.

509-510: Rounding out the end of the official Knightfall story (but not the entirety of the Knightfall saga), these issues were collected in Batman: Knightsend in 2018. These stories were also collected in Knightfall Omnibus Volume Three - Knightsend, also published 2018.

511-0: Okay, this is a bit of a weird one. In 1994, DC wanted to do a bit of soft editing to the timeline, so they had the Zero Hour event. This was told in the Zero Hour comic (notable for its reverse numbering) and with tie-ins. Just about every single DC Comic at the time had a Zero Hour tie-in, and then a special #0 that established the new status quo, if there was one. All of the Batman tie-ins to Zero Hour were collected in 2017 as Batman: Zero Hour.

512-514: We’re back in the Knightfall saga, now dealing with the aftermath! Bruce takes some time off to continue healing, leaving Dick to be Batman. This is collected in 2019’s Prodigal: New Edition.

515: Part of the Troika storyline, collected in 2019 as Batman: Troika. This is the last of the Knightfall saga books.

516-525: Collected in 2014 as Batman by Doug Moench and Kelley Jones Vol. 1.

526: Even though this was written by Doug Moench, this issue isn’t collected in the above because the art is by J.H. Williams III instead of Kelley Jones. This issue is collected in 2014’s Tales of the Batman: J.H. Williams III which highlights a lot of William’s work.

527-532: Collected in Batman by Doug Moench and Kelley Jones Vol. 1.

I should also point out that issues 529-532 are part of the “Batman: Contagion” storyline, which was a massive crossover event that involved lots of titles. It was collected in 2016 as Batman: Contagion with all parts of the story.

533: This issue is part of the “Legacy” crossover storyline, which was the sequel to “Contagion.” This issue was collected in 2017’s Batman: Legacy Vol. 1.

534: Another part of the “Legacy” story, collected in 2018’s Batman: Legacy Vol. 2.

536-552: Collected in 2018’s Batman by Doug Moench and Kelley Jones Vol. 2.

553-554: Are you ready for another big crossover? Here we go! These two deal with the earthquake that strikes Gotham City, and are collected in 2015’s Batman: Cataclysm New Edition. The story of Cataclysm is also collected in the 2020 Batman: Road to No Man’s Land Omnibus.

555-559: Collected in 2015’s Batman: The Road to No Man’s Land Vol. 1 and 2020’s Batman: Road to No Man’s Land Omnibus.

1,000,000: This was a special one-off issue that was part of the DC One Million event. As best I can tell, it’s only collected in 2013’s DC One Million Omnibus.

560-562: One Million is over! These stories are collected in 2016’s Batman: The Road to No Man’s Land Vol. 2 and the 2020 Batman: Road to No Man’s Land Omnibus.

563-566: We’ve traveled down the Road to No Man’s Land, which means… the event itself is here. Gotham has been cut off from the rest of the world. This is what it’s like inside. These stories are collected in 2011’s Batman: No Man’s Land (New Edition) Vol 1 and in the 2022 Batman: No Man’s Land Omnibus Volume One.

567-568: These issues (which includes the first appearance of Cassandra Cain!) are collected in 2012’s Batman: No Man’s Land Vol. 2 New Edition and the Batman: No Man’s Land Omnibus Volume One, published 2022.

569-571: Collected in 2012’s Batman: No Man’s Land Vol. 3 New Edition and Batman: No Man’s Land Omnibus Volume Two, published 2022.

572-574: The end of the No Man’s Land saga, collected in 2012’s Batman: No Man’s Land Vol. 4 New Edition and 2022’s Batman: No Man’s Land Omnibus Volume Two.

575-581: This was the run by Larry Hama, which does not seem to be collected. 

582-586: This begins Ed Brubaker’s run as writer on Batman, and it’s collected as such in 2016’s Batman by Ed Brubaker Vol. 1.

587: This issue ties in to the Batman: Officer Down story, and is thus collected in the Batman: Officer Down trade from 2004.

588-590: For reasons unknown to me, Ed Brubaker took a brief break from Batman, leading to these issues being written by Brian Vaughan. They’re collected in 2017’s printing of Batman by Brian K. Vaughan, which was also published in 2008 under the title Batman: False Faces. They’re the same stories.

591-597: Back with Brubaker, these are collected in Batman by Ed Brubaker Vol. 1.

598: This issue is collected in 2016’s Batman by Ed Brubaker Vol. 2.

599-602: These issues are collected in Batman by Ed Brubaker Vol. 2, but I would be doing you a disservice if I didn’t clarify that these issues are part of the “Bruce Wayne: Murderer?” story arc. This story  was a big crossover between every Batman-related title, and reading just the Batman parts gives you a very incomplete picture. For that reason, I recommend reading these stories in Bruce Wayne: Murderer? New Edition that was collected in 2016 or the new Bruce Wayne: Murderer Turned Fugitive omnibus from 2024.

603-607: The same as above. You can read them in Batman by Ed Brubaker Vol. 2, but I recommend following the whole story with 2014’s Bruce Wayne: Fugitive New Edition or 2024’s Bruce Wayne: Murderer Turned Fugitive omnibus.

608-619: One of the classics of modern Batman, this is Batman: Hush. It’s been collected several times under that name. I personally like the 2009 or 2019 releases, since printings before that split the story into two books. If you’re looking for an especially economic option, this story was printed in DC’s Compact Comics line for a smooth $10 USD.

620-625: These are collected in Batman: Broken City, which was published in 2020 and 2005.

626-630: This story is Batman: As the Crow Flies, collected in 2004 under the same name.

631: Event time again! This story is collected in Batman: War Games Book One, published 2015. There is also a War Games Omnibus, published 2025.

632-634: These issues are collected in Batman: War Games Book Two, published 2016. Yes, I know what the website says. No, DC Comics is wrong. These issues are collected here. If you’re very concerned, see 2025’s War Games Omnibus.

635-641: This is the “Under the Red Hood” storyline, originally collected as “Under the Hood” in two books. It’s been published several times under either of those names, with more recent publications tending towards the former. All printings since 2011’s Under the Red Hood contain the entire story in a single book.

642-644: Interrupting “Under the Red Hood” is the epilogue to “War Games.” It’s collected in Batman: War Games Book Two. This story was also collected in the 2025 War Games Omnibus.

645-650: These are collected in Under the Red Hood.

651-654: Welcome to One Year Later! As a quick explainer, in May 2006 DC flashed all their main comics one year forward in time after the events of the Infinite Crisis story. Batman spent this year (off-panel) traveling and training, and has recently returned to Gotham. Things aren’t quite how he left them, and Batman must navigate what changed during his year of rest and relaxation. These issues are collected in Face the Face, which was printed in 2006 and in 2017.

655-658: These issues introduce Damian Wayne, in the aptly titled arc Batman and Son! These issues are collected in every edition of Batman and Son, first printed in 2007 and again in 2014. This is the start of Grant Morrison’s run on Batman, which has seen several collections. These stories are also collected in 2024’s Batman by Grant Morrison Book One and 2018’s Batman by Grant Morrison Omnibus Volume One.

659-662: This is the Grotesk arc, written by John Ostrander in a brief break from Grant Morrison’s run. To my knowledge, it has yet to be collected.

663-669: These are collected in the new edition of Batman and Son, printed 2014. These stories are also collected in Batman by Grant Morrison Book One and Batman by Grant Morrison Omnibus Volume One.

670-671: These are part of the crossover event The Resurrection of Ra’s al Ghul, collected in 2009. These stories are also collected in Batman by Grant Morrison Book One and Batman by Grant Morrison Omnibus Volume One.

672-675: Collected in the 2014 edition of Batman and Son. These stories are also collected in Batman by Grant Morrison Book One and Batman by Grant Morrison Omnibus Volume One.

676-683: The death of Batman before the death of Batman in Final Crisis, these comics are Batman RIP, collected in 2009 and 2010 under that name. This story is also collected in Batman by Grant Morrison Omnibus Volume One.

684: This is the second of the two part story “The Last Days of Gotham.” The first part of this story is Detective Comics (1937) #851. Unfortunately, despite nebulously being part of the “Battle for the Cowl” event, this story isn’t collected in the Battle for the Cowl trade, the Battle for the Cowl Companion, or the recent Complete Collection.

685: Part of the “Faces of Evil” event that focused on the DC Universe’s villains, this Catwoman and Hush focused story is collected in Streets of Gotham: Hush Money, published 2010.

686: Collected in Whatever Happened to the Caped Crusader? published in 2010 and reprinted in 2020.

687-691: After the events of “Batman R.I.P.,”“Final Crisis,” and “Battle for the Cowl,” Dick Grayson is Batman! This is his first arc wearing the cape, collected in 2010’s Long Shadows.

692-699: The second arc of Dick’s Batman, collected in 2010’s Life After Death.

700-703: These four issues are collected in 2011’s Time and the Batman, serving as a missing chapter to the “Batman R.I.P.” story, prelude to Bruce Wayne’s return, and general reflections on the meaning of Batman.

704-707: Dick Grayson continues as Batman in 2012’s collection of Eye of the Beholder.

708-709: These two issues are part of the “Judgment on Gotham” crossover story, which followed the events of the 2009 Azrael series. The end of the Azrael series, as well as all parts of “Judgment on Gotham,” are collected in 2012’s Gotham Shall Be Judged.

710-712: Collected in Eye of the Beholder.

713: The final issue of Batman before the New 52 rebooted everything… and unfortunately, it’s uncollected. A bit frustrating to end on that note, but who knows! Maybe DC will come around to it.

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Tis the season for reflection and reminiscing, so I guess it’s time for me to review what the last year of comic reading looked like! As always, this list is not guaranteed to be 100% perfect, as I’m only human, and keeping a big spreadsheet and LOCG sounds great until you mark one and forget the other.


Per my tally, I read 836 comics in 2024. If we assume each comic is 22 pages long, that’s 18,392 pages of comics. Of course, some issues are oversized, but some issues were also originally backups that were later collected, so I’m assuming it all comes out in the wash.


Top 10 Characters/Groups I read for…

  1. The Legion of Super-Heroes: 116
  2. Batman (Bruce Wayne): 77
  3. Supergirl (Linda Danvers): 46
  4. Wonder Woman: 42
  5. Nightwing: 41
  6. Amethyst: 39
  7. The Dreaming: 32
  8. Poison Ivy: 24
  9. Batman (Dick Grayson): 20
  10. JLA: 19

Top 5 Titles:

  1. Legion of Super-Heroes (2004) - 50 issues
  2. Supergirl (1996) - 46 issues
  3. Superboy and the Legion of Super-Heroes (1949) - 35 issues
  4. Detective Comics (2016) - 32 issues
  5. Wonder Woman (2016) / Nightwing (1996) - 30 issues each

My full reading for the year was...


  • Absolute Power: Origins (2024) #1-2 [2]
  • Action Comics (1938) #858-863 [6]
  • Alan Scott: Green Lantern (2023) #1-6 [6]
  • Amethyst (1983) #1-12 [12]
  • Amethyst (1985) #1-16 [16]
  • Amethyst (1987) #1-4 [4]
  • Amethyst (2020) #1-6 [6]
  • Amethyst Annual (1984) #1 [1]
  • Anarky (1997) #1-4 [4]
  • Anarky (1998) #1-8 [8]
  • Aquaman (1962) #40-48 [9]
  • Arkham City: Order of the World (2021) #1-6 [6]
  • Arkham Reborn (2009) #1-3 [3]
  • Batman + Arsenal (1997) #1 [1]
  • Arsenal Special (1996) #1 [1]
  • Batgirl (2024) #1 [1]
  • Batgirl Special (1988) #1 [1]
  • Batgirl: Girlfrenzy (1998) #1 [1]
  • Batman and Robin (2011) #1-8 [8]
  • Batman Incorporated (2022) #1-12 [12]
  • Batman: Batgirl (1997) #1 [1]
  • Birds of Prey (2023) #5-14 [10]
  • Birds of Prey: Batgirl/Catwoman (2003) #1 [1]
  • Birds of Prey: Catwoman/Oracle (2003) #1 [1]
  • Black Lightning Year One (2009) #1-6 [6]
  • Chase (1998) #1-9, #1,000,000 [10]
  • City Boy (2023) #1-6 [6]
  • DC Universe Legacies (2012) #1-10 [10]
  • Dead Boy Detectives (2014) #1-12 [12]
  • Dead Boy Detectives (2022) #1-6 [6]
  • Death of the New Gods (2007) #1-8 [8]
  • Detective Comics (1937) #644-653; #846-850 [14]
  • Detective Comics (2011) Special Edition #27 [1]
  • Detective Comics Annual (2021) #1 [1]
  • Detective Comics (2016) #1034-1065 [32]
  • Far Sector (2019) #1-12 [12]
  • Final Crisis: Legion of 3 Worlds (2008) #1-5 [5]
  • Fire & Ice: Welcome to Smallville (2023) #1-6 [6]
  • Batman/Catwoman: Follow the Money (2010) #1 [1]
  • Gotham Academy (2014) #1-18 [18]
  • Lumberjanes/Gotham Academy (2016) #1-6 [6]
  • Gotham City Sirens (2024) #1-4 [4]
  • Hawk and Dove (1988) #1-5 [5]
  • Huntress Secret Files (2021) #1 [1]
  • Jay Garrick: The Flash (2023) #1-6 [6]
  • JLA: Incarnations (2001) #1-7 [7]
  • JLA Year One (1997) #1-12 [12]
  • John Constantine: Hellblazer (2019) #1-12 [12]
  • Justice League Elite (2004) #1-12 [12]
  • Kingdom Come (1996) #1-4 [4]
  • Batman: The Last Halloween (2024) #0-2 [3]
  • Lazarus Planet (2023) [7]
  • Lazarus Planet: Revenge of the Gods (2023) #1-4 [4]
  • Legion of Super-Heroes (2004) #1-50 [50]
  • (Superboy &) The Legion of Super-Heroes (1946) #234-268 [35]
  • Legion of Super-Heroes in the Silver Age [24]
  • Man Bat (1996) #1-3 [3]
  • Man Bat (2006) #1-5 [5]
  • Midnighter (2015) #1-12 [12]
  • Midnighter & Apollo (2016) #1-6 [6]
  • Millennium (1987) #1-8 [8]
  • New Krypton (2008) [13]
  • Nightmare Country (2022) #1-6 [6]
  • Nightwing (1996) #71-100 [30]
  • Nightwing (2016) #110-119 [10]
  • Nightwing Annual 2024 #1 [1]
  • Our Worlds At War [9]
  • Poison Ivy (2023) #1-18 [18]
  • Poison Ivy: Cycle of Life and Death (2016) #1-6 [6]
  • Prez (1973) #1-2 [2]
  • Ragman (1991) #1-8 [8]
  • Ragman: Cry of the Dead (1993) #1-6 [6]
  • Ragman: Suit of Souls (2010) #1 [1]
  • Resurrection Man (1997) #16-17 [2]
  • Robin Argent Double Shot (1998) #1 [1]
  • Robin Plus Impulse (1996) #1 [1]
  • Saved by the Belle Reve (2022) #1 [1]
  • Stargirl and the Lost Children (2022) #1-6 [6]
  • Stargirl Spring Break Special (2021) #1 [1]
  • Steelworks (2023) #1-6 [6]
  • Strange Adventures (1950) #205-213 [9]
  • Streets of Gotham (2009) #1-14; 16-21 [20]
  • Supergirl (1996) #1-43; #1,000,000 [44]
  • Supergirl (1996) Annuals #1-2 [2]
  • Swamp Thing: New Roots (2020) #1-9 [9]
  • The Brave and the Bold (2007) #1-6 [6]
  • The Cult (1988) #1-4 [4]
  • The Dreaming (2018) #1-20 [20]
  • The Dreaming: Waking Hours (2020) #1-12 [12]
  • The Hawk and The Dove (1968) #1-6 [6]
  • The Long Halloween (1996) #1-13 [13]
  • The Question: All Along The Watchtower (2024) #1 [1]
  • Titans (2008) #1-11 [11]
  • Titans East Special (2007) #1 [1]
  • Two Face: Year One (2008) #1-2 [2]
  • When In Rome (2004) #1-6 [6]
  • Wonder Woman (1987) #36-48 [12]
  • Wonder Woman (2016) #1-30 [30]
  • World's Finest (2009) #1-4 [4]
  • Young Justice (1998) #13-14 [2]

I also read a few of the DC Graphic Novels for Young Adults, which I’ll include here as relevant. As an overall series, I’ve gotten the impression (and been told) that the characterization and intention of the books can wildly vary–one book can be intended as a serious, main-continuity story of a character while they were a young adult, while others are AUs or what-ifs that take characters and change them or their surroundings. I found all of these to be enjoyable reads for what they are, recognizing that I am not their target demographic. (Bad Dream, I have to say, was probably my favorite) 


  • Amethyst: Princess of Gemworld (2021)
  • Bad Dream: A Dreamer Story (2024)
  • Barda (2024)
  • The Oracle Code (2020)
  • This Land is Our Land (2024)
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Yesterday I wrote a quick writeup of the Golden, Silver, and Bronze Ages of Comics. Savvy readers may have noticed that those ages ended at 1986, and yet comics have continued to be published. So what Age are we in now? That's what this writeup discusses!

The Dark Age (1986-2016)

After Crisis on Infinite Earths ended in 1986, DC got to make a whole new continuity! The comics that came at this point in time form the foundation of a lot of the characters and stories that we know today. For a good bit of time, we called The Dark Age the Modern Age, because at that point it was modern! But now that we’re nearly forty years removed from Crisis and comics are still being published, there was a fair question about just how “Modern” it was. I’m using the verbiage that DC seems to be endorsing themself—I learned the phrase “The Dark Age” from 2022’s Batman—The Ultimate Guide reference book. Calling this period a Dark Age is not an indictment about the quality of work in this period, rather, it’s to reflect the doubling down on darker, grimmer stories. Crisis ended in 1986, followed almost immediately by Watchmen and The Dark Knight Returns, two stories very interested in deconstructing the figure of a hero with a cynical eye. While these stories were not in the main DC canon, they would reverberate on the tone of what was to come.

Within the main DC canon, huge shakeups were occurring. There were no more multiple Earths; instead, there was a single New Earth that incorporated the histories of several Earths. The Justice Society had fought in WWII and retired in the 50s, but were still around and able to mentor the younger generation of heroes. There was only ever the one Superman and Batman figure, though DC would later figure out a way to have a Wonder Woman both in the present and among the Justice Society. Many of DC’s biggest heroes were getting revamps to introduce their new continuity: The Man of Steel miniseries detailed Superman’s new origin and once again established him as the sole survivor of Krypton. The Batman: Year One story that ran thorough Batman #403-407 detailed the early history of this Caped Crusader, revamping Jim Gordon and Selina Kyle in the process. Wonder Woman saw her title relaunched with a new #1, with George Perez taking the helm of a sprawling epic that redefined the character. The darker tone of the Dark Age continued to manifest. The Killing Joke was published in 1988, depicting the shooting of Barbara Gordon by the Joker, followed quickly by Jason Todd’s murder in A Death in the Family. Major comic events of the early 90s involved the villain Bane breaking Batman’s back and the monster Doomsday killing Superman.

In the mid 90s, DC was forced to reconcile with the truth that while Crisis had mostly succeeded in tidying things up, things were once again getting messy. To solve this, DC published the Zero Hour event, officially titled Zero Hour: Crisis in Time! (DC really loves to slap the “Crisis” title on anything load-bearing) Zero Hour, published in 1994, featured the Silver Age hero Hal Jordan becoming the villain Parallax and trying to undo time. Heroes banded together to stop him, though the timeline was slightly altered. This introduced many soft retcons—retroactive continuity fixes—that aimed to make things make a bit more sense. The jury still seems to be out on if it succeeded. 

By the early 2000s, DC decided that it was ready for a sequel to Crisis on Infinite Earths, which they helpfully named Infinite Crisis. This event saw the return of several characters from the original Crisis, and more crucially, the return of a multiverse to DC Comics. This multiverse would be refined such that rather than an infinite multiverse of infinite Earths, there were now 52 parallel worlds. Some of the new worlds were established as callbacks to previously depicted alternate Earths, while some were new. Other major events within the Dark Age were Final Crisis, which saw the “death” of Bruce Wayne by Darkseid, and Blackest Night, which saw deceased heroes and villains resurrected as zombies by Black Lantern rings to feast on the emotions of the living.

In 2011, DC decided it was time for another major revamp. They wanted the characters younger and less burdened, and decided to launch The New 52 and end the era of post-Crisis New Earth. This was done with the Flashpoint story, which featured Barry Allen, the Flash, attempting to go back in time and prevent the death of his mother. While well intentioned, this event created a wildly branching timeline that he then had to set right. Though he mostly succeeded, the world Barry returned to was not quite the same. The post-Flashpoint world was dubbed “Prime Earth,” and was… controversial. Much of the post-Flashpoint continuity seemed to harken back to previous Ages–as mentioned, the characters in general were younger. Barbara Gordon, the Silver and Bronze Age Batgirl, was returned to the Batgirl role while her two New Earth successors were written out of continuity. Barry Allen was made the primary Flash of the DC Universe, with the Golden Age’s Jay Garrick and the Bronze/Dark Age’s Wally West removed. 

In 2015, DC would publish the “Convergence” event, which featured an extant Brainiac capturing specific slices from several timelines and pitting them against each other. This included seeing the pre-Crisis Teen Titans operating at the same time as the post-Crisis, pre-Zero Hour Suicide Squad, or the post-Zero Hour but pre-Flashpoint Batgirl. It was messy! But importantly, it showed DC acknowledging their older characters and characterizations, and restoring some of the multiverse that came before.

The Dark Age would eventually come full circle, with the Doomsday Clock event heralding the end of the Dark Age and beginning what we call (for now) the Modern Age. Doomsday Clock was a direct sequel to Watchmen, the iconic comic that helped set the tone for the Dark Age in 1986. Doomsday Clock suggested that part of the reason the New 52 was so different than the pre-Flashpoint New Earth was because Doctor Manhattan, the massively powerful Watchmen character, had removed several years from the timeline to observe how the world would change. Batman and the Flash discovered this meddling during “The Button” storyline, and DC subsequently began its Rebirth initiative.

The Modern Age (2016-Present)

It’s fickle to decide precisely when the Modern Age begins. DC Comics themselves states that the Dark Age ended in 2011, with Flashpoint, though I disagree. Many of the initial New 52 storylines hold on to the darker tone, though there is evidence that around 2014, DC began to pivot away. The DCYou initiative, for example, focused on refreshing some characters to a younger, more upbeat characterization–such as Barbara Gordon in her Batgirl of Burnside era–or by introducing new comics altogether–such as the more lighthearted Gotham Academy series. You may disagree with me on precisely where these eras begin and end, however, and that’s okay.

In 2016, DC began its Rebirth event that sought to reconcile some of the pre-Flashpoint elements into the Prime Earth continuity. This was spearheaded by the return of Wally West, and continued to gradually fold back in pre-Flashpoint elements into the Prime Earth timeline. The events of 2020's Dark Nights and Dark Nights: Death Metal finalized it, placing characters in a sort of super-state of having access to all of the memories of all previous versions of themselves, while still ostensibly having only lived the one life. It’s complicated, but it crucially gave writers the opportunity to have characters make reference to past events that happened on New Earth, canonizing them for the Prime Earth continuity.

The end of the Dark Nights saga resulted in DC’s Future State and Infinite Frontier projects in 2021. Future State’s premise was showing possible futures for various DC characters, and then Infinite Frontier launched characters on possible paths. The emphasis was on this being a new starting point for many characters, both old and new. Jon Kent, the son of Superman, had his own title launched during this time, and Yara Flor, a new Wonder Woman, got a miniseries. On the Nightwing title, a new creative team took over to steer the character out of the “Ric Grayson” amnesia arc, restoring Nightwing to his traditional hero status.

In 2022, DC would publish Dark Crisis, later rebranded Dark Crisis on Infinite Earths (see what I mean about them just reusing the same words for emphasis?) which saw many classic DC villains from across different eras brought together by a powerful force. This continued to delve into the DC Multiverse and establish that everything was metaphorically on the table, leading to the Dawn of DC initiative. Similarly to Infinite Frontier, Dawn of DC was about fresh starts, new beginnings, and updates so that new readers could jump in. The Justice League was disbanded in the wake of Dark Crisis, leading the Titans to become the preeminent Superhero team. The Superman title was relaunched at #1, and many books got new creative teams.

It’s always easier to retrospectively talk about something that has concluded rather than to actively analyze something ongoing. However, I think so far it’s fair to say that DC is attempting to use the Modern Age to craft a more expansive, perpetually new universe. Old characters are getting new attention, new characters are being created, and the depth and breadth of DC’s publication is getting highlighted. The current Modern Age has seen DC focus on expanding its Young Adult graphic novels since 2019, and DC announced in 2024 that they would be bringing back the Elseworlds imprint to tell alternate universe stories. DC has committed to telling more diverse stories in the Modern Age, which I think is crystalized in the various “Celebration” issues published. DC’s annual Pride anthology started in 2021, and subsequent celebration anthologies have featured Asian American and Black heroes and creators. While we don’t know when the current Modern Age will end (I’m already hedging my bets on this eventually being called the “Rebirth Age”) I do think the future is bright.

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The Golden Age (1938-1950s)

DC Comics as we know it started taking form in 1937 with the debut of the Detective Comics title. Published by Detective Comics Inc. in partnership with National Allied Publications, the title was an anthology of various detective and mystery stories featuring characters such as Slam Bradley. Have you ever read the first dozen or so ‘Tec stories? Because I haven’t. I care much more about what came next. In 1938, All-American Publications began publishing Action Comics, debuting a character called Superman. Maybe you’ve heard of him. Soon after, in 1939, Detective Comics #27debuted the Batman. Arguably with Action Comics #1, though definitely by 1940, the Golden Age of comics had begun.

The original iterations of the Flash and Green Lantern—Jay Garrick and Alan Scott, respectively—were created in 1940. The savvy reader among you might recognize these two as belonging to the Justice Society of America, which had arrived on the scene by 1941. The JSA would be rounded out with Hawkman, Doctor Fate, the Spectre, Sandman, the Atom, and Hourman. Other characters created around this time include Green Arrow (1940), Wonder Woman, (1941), and Aquaman (1941).

You may notice that the Golden Age overlaps with World War II, and it definitely affected DC’s publication. The newly created figure of the superhero became a more starkly patriotic figure, often spangled in red, white and blue. Plots began to incorporate nationalistic themes, and heroes often fought spies, foreign agents, and saboteurs. Arguably, though, scholars argue that the war era was most important for how superheroes began to move out of a purely print medium to radio and film. (For additional reading on DC Comics and WWII, see the Freeman and Hutchens citations below)

As the 40s went on, however, interest in superheroes began to wane, and DC (though technically they weren’t yet a consolidated DC Comics) began to pivot to other themes, such as Western stories or science fiction. The end of the Golden Age, however, can arguably be traced to 1954 with Frederic Wertham publishing Seduction of the Innocent. Wertham’s book that claimed that comics were an active harm to children due to their depictions of violence and supposed (homo)sexual themes. Seduction of the Innocent led to Wertham testifying before a U.S. Senate Subcommittee, which in turn ended up leading to comics publishers adopting the Comics Code Authority, a sort of self-imposed regulatory authority.

I would personally characterize the Golden Age as having a sort of earnestness to it. Characters are being invented left and right, but the writers haven’t yet had enough time with them to shape them into the figures we now know them to be. In hindsight, a lot of these early stories seem... silly… Superman eating a pocket-knife in Superman #8 comes to mind. But even within the same issue as the goofy knife-eating, you see Superman working against foreign agents representing the real-world anxieties of the time.

The Silver Age (1958-1970)

After the establishment of the Comics Code Authority, the content of comics had to change. At the same time, DC Comics (though they still weren’t technically doing official business under that name) had a stable of characters begging for reinvention. In 1956, Barry Allen debuted as the new Flash in Showcase #4, and the Silver Age was off. Science fiction themes seemed to be all the rage for the Silver Age: Hal Jordan, the new Green Lantern, got his ring from a dying alien. Ray Palmer, the new Atom, was described as a genius inventor who created his size changing powers. Hawkman was brought back, no longer as the reincarnating pharaoh Khufu, but as a police officer from the planet Thanagar. The Martian Manhunter was more thoroughly fleshed out and elevated from a detective to superhero. As individual heroes were getting re-tooled, the concept of the Justice Society was updated in 1960 to become the Justice League of America, which debuted in The Brave and the Bold #28.

After establishing refreshed versions of some of their older heroes, DC decided that they wanted to begin to reincorporate some of their older characters into their modern publication. This effort began in 1961 with the spectacular “Flash of Two Worlds” in Flash #123, which featured Barry Allen, the Flash, teaming up with Jay Garrick, the Flash of the Golden Age. This issue established that the Golden Age characters all still existed, but on a parallel Earth that vibrated at a different frequency than the Earth of DC’s main heroes, which was designated Earth One. By using their powers, characters like the Flash were able to vibrate at the other Earth’s speed, crossing over. This concept would soon be expanded upon, leading to frequent crossovers between Earth One and Earth Two characters and teams.

Having two separate Earths, each with their own history, allowed DC to have multiple variations of the same characters, offering greater storytelling breadth. The Bruce Wayne of Earth Two, for example, had retired as Batman to become Gotham Police Commissioner, passing on the torch to his daughter Helena Wayne, the Huntress. Huntress would cross over to meet the Bruce Wayne of Earth One, the younger, childless Batman. DC would develop other Earths, such as Earth Three, with villainous versions of Earth’s heroes, of Earth Prime, with a single Superboy as Earth’s only superhero.

The Silver Age, as a whole, can be looked at as campier than other eras of comics thanks in no small part due to the regulations imposed by the Comics Code Authority. Stories tended towards science fiction and the fantastic, and creators were very interested in making pre-established concepts new again. Comics continued to expand through new mediums, often keeping with the tone of the time: the Adam West Batman TV show, for example, ran 1966-1968 and is a great example of Silver Age camp. While the Silver Age has an event that can be pointed to as a relatively agreeable indication of the era’s beginning, its end is slightly less clear.

The Bronze Age (1970-1986)

The Bronze Age of Comics came about during the 1970s, but it’s not easy to discern exactly when or with what event. Comic readers had been indicating a desire for darker or more mature stories. (In some ways, this desire can be considered as a reaction to the trend of the Silver Age as a whole. For further reading, I suggest The Caped Crusade: Batman and the Rise of Nerd Culture by Glen Weldon, which dives into how Batman media specifically follows a tone-pendulum.)

Some point to the death of Gwen Stacy over in The Amazing Spider-Man as the event that heralded in the Bronze Age, others point to Jack Kirby leaving Marvel to join DC and begin the Fourth World. The Bronze Age was emboldened by the revision and weakening of the Comics Code in 1971, after Stan Lee published a comic about drug use without the Authority’s stamp of approval. The comic was a success, leading the code to reevaluate or be left behind.

In the realm of DC, Green Arrow’s joining the Green Lantern title in 1970 in what would then be Green Lantern/Green Arrow #76 is generally considered a Bronze Age hallmark. The series focused on contemporary social ills, with its arguably most famous story tackling drug addiction in America. 1971’s Green Lantern/Green Arrow #78, “Snowbirds Don’t Fly,” depicted the teen hero Roy Harper's addiction to heroin and the other heroes’ reaction and response. In the Batman comics, Dennis O’Neil and Neal Adams began a long campaign to bring Batman back to a more gothic, brooding figure with appropriately dark villains. O’Neil and Adams’ 1971 Batman #232 debuted Ra’s and Talia al Ghul, while 1973’s Batman #251 would see “The Joker’s Five Way Revenge” take the Joker from his Silver Age clownish portrayal to a more menacing, murderous villain.

As DC Comics approached 50 years of publication in 1985, they began to recognize that five decades had left them with quite a mess of continuity. There were the Golden Age heroes on Earth Two, the Silver Age heroes that had become the Bronze Age heroes on Earth One, and a plethora of alternate Earths and company acquisitions to make it muddier. To mark the anniversary and clean house at the same time, DC embarked upon the Crisis on Infinite Earths.

Crisis on Infinite Earths, often referred to just as “Crisis” was a year-long maxi series running from 1985-1986. The plot involved the destruction of the DC multiverse, and resulted in the establishment of a New Earth with a new continuity. Nearly everything that came before was taken off the metaphorical table, and writers got to choose which pre-Crisis elements to re-canonize and which elements to create fresh.

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Here we are at the last part of my writeup! If you're a glutton for punishment like me, or if anything in Parts 1 or 2 struck your fancy, here are a variety of suggestions for further reading. While obviously incomplete, hopefully you find something in here you like! This section also doubles as (some of) my sources cited, if you’re into that.

If you just want a TL;DR recommendation, personally, I would say read Suicide Squad (1987) and Checkmate (2006) for a great sampling of DC’s world of spies and politics.

I will also take this space to offer a robust thank you to my editors and beta readers, who helped me catch things even after it went to print. Spot fixes save the day.
 

Suicide Squad


If you're interested in reading about the Suicide Squad you’re in luck, because there are three titles just about them! Suicide Squad (1987) is the first and, in my opinion, the best. It ran for 66 issues and was revived in 2010 for a 67th issue to tie in with the Blackest Night event. This establishes Amanda Waller’s character and details how she put the Suicide Squad together. The entire series would be published in a series of eight books, published 2011-2019.

If you want to read the Janus Directive crossover, mentioned several times here, you’re in luck! It was collected in 2016 as Book 4 of the series reprinting all of SS ‘87. However, if you want to read it in singles, you can do that as such:

  1. Checkmate (1988) #15
  2. Suicide Squad (1987) #27
  3. Checkmate (1988) #16
  4. Suicide Squad (1987) #28
  5. Checkmate (1988) # 17
  6. Manhunter (1988) #14
  7. Firestorm (1982) #86
  8. Suicide Squad (1987) #29
  9. Checkmate (1988) #18
  10. Suicide Squad (1987) #30
  11. Captain Atom (1987) #30

After SS ‘87 ended, their next main book would be Suicide Squad (2001). This series would spin out of the Our Worlds At War crossover, and is set during the time period when Lex Luthor is the U.S. President and Amanda Waller is the Director of Metahuman Affairs. It is collected as Suicide Squad: Casualties of War, published in 2021. This one has much less Waller in it, and is only loosely connected in the final issues to anything that came before it.

The Squad’s last titular series would be Suicide Squad (2007). This book is set during Amanda Waller’s time in Checkmate, and details the Squad’s involvement in Operation: Salvation Run. It was collected in 2008 as Suicide Squad: From the Ashes. Lots of past Squad members return for this one. If this run really grabs you, you can also read Salvation Run (2008). It was collected under the same name in 2008.

Checkmate

Checkmate has had two primary runs in the post-Crisis, New Earth continuity. The first is Checkmate (1988), which covers the Harry Stein era of Checkmate. It ran for 33 issues, with the Janus Directive crossover happening roughly halfway through. This run follows from Checkmate’s first appearance in Action Comics (1938) #598, also in 1988.

Checkmate pops up a few times during the Bruce Wayne: Murderer? and Bruce Wayne: Fugitive comic arcs. These arcs are too long for me to detail them all out here, but they were both collected in 2014 as self-titular books. For Checkmate specific issues, check out Detective Comics (1937) #768-777. This arc deals with David Said working as a Knight for Checkmate, and the organization’s recruitment of Sasha Bordeaux. If you want to see Said working as King, that’s in Gotham Knights (1999) #37-40.

Checkmate would receive its major revamp in 2005, with Maxwell Lord as King. This saga is chronicled in Countdown to Infinite Crisis (2005) #1, The OMAC Project (2005) #1-6, and Infinite Crisis Special: The OMAC Project (2005) #1.

After the events of The OMAC Project and Infinite Crisis, Checkmate would be rechartered as a U.N. organization and receive a new self-titled ongoing series. Checkmate (2006) would run for 31 issues. This series would crossover with Outsiders (2003) with the story CheckOut, which would run 

  1. Checkmate (2006) #13
  2. Outsiders (2003) #47
  3. Checkmate (2006) #14
  4. Outsiders (2003) #48
  5. Checkmate (2006) #15
  6. Outsiders (2003) #49

Checkmate (2005) #1-25 is collected, including the CheckOut crossover, in Checkmate by Greg Rucka Books 1 and 2, published in 2017 and 2018, respectively. #26-31 is collected in Checkmate: Chimera published 2009.

Cadmus

Okay, I’m going to cheat a bit here. Before Crisis happened, Jack Kirby created the DNA Project in Superman’s Pal, Jimmy Olsen (1937) #135. You can read that in Superman’s Pal, Jimmy Olsen by Jack Kirby published 2019. A lot of this stayed on after Crisis, and it’s Kirby, so that’s fun.

In New Earth, if you want to read about Cadmus, I sort of have to recommend The Death and Return of Superman story arc. The thing is, that story is giant, and I can’t list all the Cadmus stuff individually. If you’re interested, DC reprinted the entire arc over four books in 2016. These are The Death of Superman, Funeral for a Friend, Reign of the Supermen, and The Return of Superman. This chronicles Cadmus’ response to Superman’s death and the subsequent debut of Superboy. If you’re interested specifically in Superboy’s first appearance escaping Cadmus, that’s in Adventures of Superman (1987) #500

The Battle for Metropolis and Fall of Metropolis feature Cadmus’ clone virus and its subsequent fallout:

  1. Action Comics (1938) #699
  2. Superman: The Man of Steel (1991) #34
  3. Superman (1987) #90
  4. Adventures of Superman (1987) #513
  5. Action Comics (1938) #700
  6. Superman: The Man of Steel (1991) #35
  7. Superman (1987) #91
  8. Adventures of Superman (1987) #514
  9. Action Comics (1938) #701

Cadmus continues to pop up through Superboy (1994), which is unfortunately generally uncollected. The first ten issues, as well as the Zero Hour #0 special, were collected in 2018 as Superboy: Trouble in Paradise. You can see Superboy suffering from the clone plague a bit in there, which is a nice bit of continuity, though the series doe not officially crossover.

A.P.E.S.

This group exclusively shows up in the pages of Young Justice (1998), which ran for 56 issues. The entire run is collected in five books, published 2017-2020.

Department of Extranormal Operations

The DEO first shows up in Batman (1940) #550, which is also Cameron Chase’s first appearance. This issue serves as a sort of “backdoor pilot” to Chase (1998), which ran for 9 regular issues and a DC One Million tie-in. This series dealt with Chase’s adventures as an agent of the DEO. Cameron Chase and Director Bones would later become major supporting characters in Manhunter (2004).

Evidence of the DEO’s research camps, orphanages, and training groups can be found in various titles. Notably, Young Justice (1998), Relative Heroes (2000), and Titans (1999).

Wonder Woman’s adventures as Diana Prince, agent of the Department of Metahuman Affairs are chronicled in Wonder Woman (2006). The DMA is heavily involved in the “Amazons Attack” storyline that runs #6-13, but be forewarned, that arc is not exactly… loved… by Wonder Woman fans. The story “Who Is Wonder Woman,” which runs #1-5 is good, and Gail Simone’s acclaimed run starts at #14. Make of that information what you will.

Spyral

As previously mentioned, Spyral has a bit of a funny publication history, debuting in the New Earth continuity, but then being largely fleshed out in the post-Flashpoint continuity that directly follows from the pre-Flashpoint timeline.

Spyral first appears in Batman Incorporated (2011) #4. The group would continue to appear through Batman Incorporated (2012). Spyral features prominently in Grayson (2014), in which Dick Grayson is forced to give up the Nightwing identity and becomes an agent of Spyral throughout the comic’s twenty issue run, concluding in Nightwing: Rebirth (2016) #1.


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Welcome to part two of my writeup and overview of various DC Comics government organizations! Recognizing that Part 1 was a lot of information dumped all at once, here's a timeline approach to what was happening. This time, I put important people's names in bold so you can track their movements. Especially key players have their names in a different color, too.

1940s-1980s

  • During WWII, Squadron S earns the nickname “The Suicide Squad” due to its high morality rate. Rick Flag Sr. is brought in to turn the squadron around, eventually making it a highly decorated and effective unit.
  • Senator McCarthy tries to force the Justice Society of America to unmask. They refuse, instead choosing to go into hiding.
  • Without the Justice Society to protect the U.S. from “extraordinary” threats, the President authorizes the creation of Task Force X. This group consisted of two wings: Argent and The Suicide Squad.
  • Rick Flag Sr. is killed in action during a Suicide Squad mission. This version of the Squad is disbanded.
  • Control, the leader of Argent, kills someone involved in JFK’s assassination. He subsequently directs Argent to go underground.
  • A new version of the Suicide Squad is formed, led by Rick Flag Jr. This version disbands after a mission in Cambodia. Flag’s supervisor reveals that the Squad was ultimately doomed anyway due to budget cuts.
  • At some point during the Cold War, Spyral is formed by the U.N., led by Otto Netz.
  • Project Cadmus is founded.
  • Sarge Steel becomes a leader in, if not the director of, the Central Bureau of Intelligence.
  • Katherine Webb Kane becomes Batwoman to try to uncover Batman’s identity for Spyral.
  • The Agency is founded by Valentina Vostok. The Agency’s work includes Project: Peacemaker.
  • Roy Harper joins the Central Bureau of Investigation. He meets Jade Nguyen through his work with the CBI.
  • Katherine Webb Kane is apparently killed by Ben Turner, the Bronze Tiger, while he is under the control of the League of Assassins.
  • Otto Netz is revealed to be a double agent and is imprisoned.
  • Mr. Bones is a quasi-member of Infinity Inc., legacy heroes springing from the Justice Society. 

1980s-2000s

  • Amanda Waller presents her plan to reactivate Task Force X. This new Suicide Squad will use supervillains for high risk, covert missions. The Agency will be brought into Task Force X and subsequently reorganized as Checkmate, though Project: Peacemaker remains independent.
  • Rick Flag Jr. is made field leader of the Suicide Squad. Ben Turner, seeking atonement, becomes his second in command.
  • Sarge Steel is officially the Director of the Central Bureau of Investigation.
  • Harry Stein is made King of Checkmate.
  • Amanda Waller and her Suicide Squad discover the remnants of Argent. With the majority of its members gone, Argent is officially declared to be disbanded.
  • The Janus Directive occurs. Massive reorganizations happen. Task Force X is dissolved as an umbrella organization. Amanda Waller is left in charge of the Suicide Squad.  Harry Stein remains as King of Checkmate, but they are forced to relocate. Project Peacemaker is incorporated into Checkmate. Sarge Steel is made the Director of Metahuman Affairs, and is the direct supervisor for all other metahuman related agencies. He continues to oversee the Central Bureau of Investigation.
  • Amanda Waller disbands her Suicide Squad.
  • After the death of Superman, Project Cadmus tries to clone him. This results in the creation of Superboy.
  • Project Cadmus fires “mad scientist” Dabney Donovan.
  • A “clone plague” begins to affect Project Cadmus creations. This is revealed to be the creation of Dabney Donovan, who kills Paul Westfield.
  • Mickey Cannon becomes the new head of Project Cadmus. He keeps Dabney Donovan as an imprisoned scientific advisor and brings in geneticist Serling Roquette.
  • Harry Stein resigns as King of Checkmate. Phil Kramer and Kalia Cambell are made King and Queen, respectively.
  • Roy Harper leaves the CBI.
  • Mr. Bones is made the Director of the Department of Extranormal Operations.
  • Cameron Chase joins the Department of Extranormal Operations.
  • The Department of Extranormal Operations subcontracts A.P.E.S members Donald Fite and Ishido Maad for a recovery mission.
  • Lex Luthor becomes president. 
  • Amanda Waller replaces Sarge Steel as Secretary of Metahuman Affairs in the Luthor Administration.
  • Knightwatch, a more militaristic branch of the Department of Extranormal Operations, protects the U.S. President from metahuman threats.
  • Director Bones manipulates the Justice Society into going against Kobra on the DEO’s behalf. This is not well received by the JSA.
  • Lex Luthor starts the Human Defense Corps to try to build a non-metahuman response team to extraordinary threats.
  • The Central Bureau of Investigation is absorbed into the Department of Extranormal Operations.
  • Sarge Steel becomes the head of the Department of Metahuman Affairs, a subdivision of the DEO.
  • Sasha Bordeaux is recruited into Checkmate by Jessica Midnight.
  • David Said is promoted to King
  • Helena Bertinelli is blackmailed by David Said into accepting a position as a Queen in Checkmate.
  • Lex Luthor leaves the White House. Amanda Waller subsequently leaves her position as Secretary for Metahuman Affairs.
  • Director Bones and Cameron Chase recruit Kate Spencer, the Manhunter, to work for the Department of Extranormal Operations.
  • Maxwell Lord becomes Black King of Checkmate.
  • Infinite Crisis happens. 
  • Maxwell Lord kills Ted Kord once Kord uncovers Lord’s plot to use Checkmate against metahumans. 
  • Sasha Bordeaux sends Batman evidence of Kord’s death, leading Lord to activate the OMACs to try to exterminate all Checkmate agents and metahumans on Earth.
  • Maxwell Lord is killed by Wonder Woman.

One Year Later

  • After Checkmate is rechartered as a U.N. organization, Amanda Waller is made White Queen. Due to her involvement in the Luthor White House, the U.N. only agrees to let Waller into Checkmate if she does not run operations. This means she cannot run any operations. The other initial leaders of this new Checkmate are Sasha Bordeaux, Alan Scott, and Taleb Beni Khalid.
  • Wonder Woman joins the Department of Metahuman Affairs in her new identity as Diana Prince, where she reports to Sarge Steel.
  • Alan Scott resigns from Checkmate, tapping his Bishop–Michael Holt–to be the new White King.
  • Despite being prohibited from running operations, Amanda Waller reactivates a Suicide Squad and begins Operation: Salvation Run.
  • Once other Checkmate officials find out what Amanda Waller is up to, she is forced to resign from Checkmate. However, by that point, most supervillains had been deported via Operation: Salvation Run.
  • Squad K is developed out of the Human Defense Corps to specifically deal with Kryptonian threats.
  • After the events of Brightest Day, Maxwell Lord returns to life. He erases most of the world’s memory of him and begins a discrediting campaign against Checkmate in an attempt to regain power.
  • Talia al Ghul creates the Leviathan Organization. She frees Otto Netz from his imprisonment so that he can assist Leviathan.
  • Batman Incorporated begins to move against Leviathan, clearing the organization out of St. Hadrian’s Finishing School for Girls.
  • Damian Wayne kills Otto Netz to save Batman from a trap.

The New 52 Happens

  • Spyral takes control of St. Hadrian’s
  • Katherine Webb Kane reveals that she faked her death to lead Spyral in secret.
  • A.R.G.U.S. is founded to support metahumans at the federal level.
  • Dick Grayson is unmasked as Nightwing, and is recruited by Helena Bertinelli to be an agent of Spyral.
  • Bertinelli and Grayson leave Spyral. Tiger becomes the new Patron of Spyral.

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So, you’re reading DC comics and a government agency pops up that you’re reasonably sure doesn’t exist in the real world. Who are they? What’s their deal? Here’s a quick primer on some of the groups that you may encounter.

A few notes and disclaimers: This writeup is primarily based on post-Crisis, pre-Flashpoint/New 52 comic canon. I’ve tried to note every exception to that general rule. Also, several of these groups and comics use historical markers tied to the real world, which makes less and less sense as we-as-readers get farther away in time from when these comics were originally published. DC eventually stopped using real people and events so frequently in comics to help with their timelessness, but I’m going to include the historical figures and times as depicted in the source material, even if that means the same Batman is supposed to have been active in the 70s and also in 2011. Just don’t worry about it.

This writeup is split into three parts, described below. This section is the most dense, dealing with the history of 13 agencies, some of their key players, and the organizations’ general missions. Special thanks to my editors and beta readers for helping me shape this up.

Part 1: Organization Descriptions and Histories

  • Task Force X
  • Argent
  • The Suicide Squad
  • Checkmate
  • Central Bureau of Investigation
  • The Agency
  • Project: Peacemaker
  • Department of Extranormal Operations
  • All Purpose Enforcement Squad
  • Project Cadmus / The DNA Project
  • Human Defense Corps
  • A.R.G.U.S.
  • Spyral

Part 2: Timeline

Part 3: Reading Suggestions

Task Force X

One of the most famous of DC’s government groups, Task Force X is sometimes used interchangeably with “The Suicide Squad.” However, that’s (at least originally) not quite accurate! Task Force X was a government program that housed two clandestine programs: Argent and The Suicide Squad. Task Force X was originally started in the 50s by President Truman to make up for the disappearance of the Justice Society of America after Senator McCarthy summoned them before his House of Un-American Activities Committee and tried to force them to unmask. Task Force X was designed to deal with the “extraordinary” (read: metahuman and alien) threats that might face the U.S. government. Argent was the domestic program, while the Suicide Squad was international. The leader of Argent took his team and disappeared in the 60s, while the Suicide Squad disbanded soon after due to budget cuts.

Task Force X would be revived in the 80s when then-congressional aide Amanda Waller would present to President Reagan a plan to revitalize The Suicide Squad, this time utilizing supervillains for high risk, clandestine missions in exchange for reduced prison time. Waller also envisioned the reorganization of intelligence group The Agency, which would become the intelligence-focused division of Task Force X. The Agency would be led by former Doom Patrol member Valentina Vostok until its reorganization into Checkmate, at which point Harry Stein was named Checkmate’s King. Although Central Bureau of Intelligence leader Sarge Steel had significant reservations about Task Force X, the President ultimately approved the project. 

After an inter-departmental war known as the Janus Directive, Task Force X was dissolved as an umbrella organization. The Suicide Squad and Checkmate were made fully independent of one another, with Sarge Steele assuming direct control of Checkmate from Waller, who stayed on as the director of the Suicide Squad.

Argent

Argent was the U.S. based division of the original, 50’s Task Force X that dealt with domestic and civilian “extraordinary” encounters. Originally led by a man named only as “Control,” Argent went underground after Control killed a man connected with the assassination of President Kennedy in 1963. Control’s vision for this new, even more secretive Argent was an internationally focused spy agency for justice, though little is known about how effective he was. Presumed defunct, Argent was not revived when Amanda Waller proposed her new Suicide Squad. Eventually, the new Suicide Squad made contact with the remenants of Argent, and were witness to the ultimate end of the program.

The Suicide Squad

Originally, the Suicide Squad was the self-given name of WWII platoon with a depressingly high fatality rate. Over the course of the war, the squadron found themselves on Dinosaur Island, which certainly didn’t help those numbers. Richard Montgomery Flag Sr. was brought in to help lead the group, turning the squadron around into a highly decorated division of the Army.

In 1951, after the Justice Society was driven underground, President Truman created Task Force X to be able to combat “extraordinary” threats now that there were no costumed heroes to rely on. Truman requested that Flag Sr. lead The Suicide Squad, which focused on international threats. This group was largely composed of veterans of the WWII Squadron S. This version of the Suicde Squad was disbanded after the death of Flag Sr.

A third version of the Squad was created by General Stuart, tapping Rick Flag Jr. to be its leader. This team continued to deal with extranormal threats, but disbanded after a mission in Cambodia that saw the loss of half the squad. It was also revealed that regardless of the fatalities, budget cuts demanded the end of the program.

The most famous version of the Suicide Squad was proposed by congressional aide Amanda Waller to President Reagan in the 1980s, following the Legends event. Waller envisioned a revival of Task Force X as an umbrella program, with the new Suicide Squad being staffed by incarcerated supervillains. These villains would undertake high-risk, clandestine operations in return for reduced prison sentences. Part of the appeal of this model was the deniability: in the event that an operation went poorly, the government could simply blame it on the supervillain. President Reagan approved the program–Waller was the leader of Task Force X, which included both the Suicide Squad and The Agency, which was soon remade into Checkmate.

This Suicide Squad operated out of Belle Reve penitentiary, which was a maximum security prison specializing in holding supervillains. The initial administration of the Suicide Squad consisted of Amanda Waller as its director, Belle Reve’s warden John Economos, psychologist Simon LaGrieve, bureaucratic assistant Flo Crawley, and pilot Briscoe. Waller brought in Rick Flag Jr. to serve as her field leader and Ben Turner, the Bronze Tiger, as second in command. While the Squad certainly lived up to its name and reputed high mortality rate, notable team members include Eve Eden, Nightshade; Floyd Lawton, Deadshot; June Moone, Enchantress; and George Harkness, Captain Boomerang. I’m not going to spoil the whole Oracle plot for you, but know that Barbara Gordon actually debuted as Oracle in the pages of Suicide Squad, so consider this your sign to go read Suicide Squad (1987).

After the events of The Janus Directive, Task Force X was dissolved as an umbrella organization. While Waller was left as the director of the Suicide Squad, she no longer had any leadership in Checkmate, which had passed into the control of Sarge Steel, director of the Central Bureau of Investigation.

After a number of missions, Waller eventually disbanded the Suicide Squad, finding herself disillusioned with the Squad’s goals. However, because this is comics, the Suicide Squad would not stay dead for long. Waller would periodically create new incarnations of the Squad to address spontaneous issues that would arise, often crossing over with other superheroes’ adventures. During Lex Luthor’s presidency, Waller would be appointed Secretary of Metahuman Affairs, taking Sarge Steel’s place.

After Checkmate was rechartered as an United Nations organization, Amanda Waller took a position as the White Queen. To limit conflicts of interest, this effectively meant that the Suicide Squad was permanently disbanded, as Waller was prohibited from operations and could not be involved in the leadership of both organizations. This didn’t stop her, however, and Waller formed a new incarnation of the Suicide Squad that began Operation: Salvation Run. This project involved rounding up all supervillains and deporting them to a prison planet via Boom Tube (yes, really) where they were supposed to stay indefinitely. Waller was eventually ousted from Checkmate, but not before she and her Squad managed to deport the majority of Earth’s villains. The Suicide Squad would have to confront its ghosts during the Blackest Night event, when zombified fallen members of the Squad came after living members, but further adventures were cut off by Flashpoint.

Checkmate

Checkmate started from The Agency, a quasi-independent intelligence focused division of Task Force X led by former Doom Patrol member Valentina Vostok. Vostok brought in former NYPD lieutenant Harry Stein, who soon reorganized the group into Checkmate. Borrowing from chess’ hierarchy, Stein was King, working with his Queen counterpart to coordinate various agents. Bishops oversaw Rooks, who planned missions for support agents–Pawns–and special agents–Knights. Checkmate operated out of Konig Industries in Shelby, Virginia until the events of the Janus Directive. During that event, Checkmate lost roughly 40 Knights and its Konig cover was blown. With only a third of its agents, Checkmate was subsequently forced to relocate to a NORAD base in Colorado.

Harry Stein resigned as head of Checkmate after his son was shot, leading Sarge Steel to promote Phil Kramer to King and Kalia Cambell to Queen. They would lead Checkmate against Jade Nguyen, the assassin known as Chesire, during the time she took control of several nuclear warheads and bombed the nation of Qurac. At some point Checkmate would establish their division between black side, which ran operations, and white side, which was primarily intelligence.

Checkmate Bishop Jessica Midnight recruited Sasha Bordeaux, Bruce Wayne’s former bodyguard, into the organization. Bordeaux had been imprisoned due to suspicion that she was an accomplice to Bruce Wayne's alleged killing of Vesper Fairchild. Checkmate faked Bordeaux’s death in prison and provided her with plastic surgery to assume a completely new life as a Checkmate operative.

After Kramer, former Knight David Said would become the new King of Checkmate. He would lead Checkmate against Batman in Gotham City, a campaign that saw them abduct Helena Bertinelli, the Huntress, and install her as Queen in an attempt to have her share secrets from Batman. This arrangement was actually a plan between Batman and Huntress, however, and Bertinelli ended up serving as a mole for Batman on Checkmate. 

For this next section, I choose to believe that Checkmate was a victim of Superboy-Prime’s altering of reality in the leadup to Infinite Crisis. Checkmate is suddenly headed by Maxwell Lord, Said and Bertinelli are nowhere to be seen, and Lord’s motivations are massively different from any of his previous appearances. Regardless, under Lord, Checkmate amassed information on every metahuman on Earth with plans to eliminate them. To do this, Lord was given access to the Brother Eye satellite, and together they controlled over one million OMACs–civilians that had been injected with nanotechnology to make them unwitting cyborg sleeper agents. When Ted Kord, the Blue Beetle, discovered what Lord had been up to, Lord killed him and instructed Bordeaux to dispose of the body.

Sasha sent Blue Beetle’s goggles to Batman, alerting him of Kord’s death. Once Lord knew that Batman was on his tail, he accelerated his plans, using his mental manipulation powers to take control of Superman and send him on a rampage to keep other heroes occupied. When Wonder Woman caught up with Lord, she bound him in her Lasso of Truth and commanded him to tell her how to set Superman free. The only option he gave her was for him to die, so Wonder Woman snapped his neck. Upon Lord’s death, Brother Eye immediately activated all OMACs and began the King_Is_Dead protocol, which involved killing every current Checkmate agent. Bordeaux, who had been imprisoned by Lord after he discovered her subterfuge, escaped, though not before her own unique OMAC programming activated. Lord had intended for her, as his Knight, to be a special type of OMAC, leaving her somewhere between human and machine. Later, Bordeaux would team up with Batman and other heroes to take down Brother Eye.

After Infinite Crisis, Checkmate was recharted by the United Nations to be an international group with a stronger system of checks and balances. Checkmate operated under a system of twos: two Kings and two Queens, with a Knight and Bishop for all four royals. Most specifically, the U.N. charter set out a Rule of Two: each position had to be balanced with meta and non-metahumans. As before, Black side was operations while White was intelligence. Bishops advised their royals, while Knights were special agents. Rooks were an elite Black Ops unit, while numerous Pawns were standard agents.

At the time of its chartering, the new Checkmate had the OMAC enhanced Bordeaux as its Black Queen, Taleb Beni Khalid as its unpowered Black King, JSA Green Lantern Alan Scott as White King, and Amanda Waller as White Queen. After Scott resigned as White King his Bishop, fellow JSA member Michael Holt–Mister Terrific, took his place.

This Checkmate frequently clashed with Kobra, the international cult intent on bringing a new age of chaos to the world. However, they also had a non-insignificant amount of infighting. Significantly, Waller was forced out as White Queen after she tried to preemptively remove Bordeaux and Holt, knowing that they were getting close to uncovering her illicit Suicide Squad and their Operation: Salvation Run.

After the events of Brightest Day, Maxwell Lord returns from the dead and uses his power to make nearly everyone on Earth forget about him. He immediately begins to try to regain control of Checkmate, beginning a misinformation and discrediting campaign against Checkmate’s leadership.

Central Bureau of Intelligence (C.B.I.)

The Central Bureau of Intelligence is a sort of corollary to the Federal Bureau of Investigation within the DC Universe. The organization primarily focuses on information gathering from domestic and international sources, then utilizing that information for operations. However, while other groups are focused on “extranormal” threats, the CBI is primarily concerned with “normal” missions. When special assignments do come up, special agents are dispatched.

The CBI was known to be active when Task Force X was being revived by Amanda Waller. While Sarge Steel was both known to be involved in the CBI and important enough to sit in on Waller’s meeting with the President of the United States, it is not clearly stated that he was the director of the CBI at that time. However, Sarge Steel would officially be the director of the CBI by the time of the Janus Initiative. Despite the massive reorganization at the time, the CBI was left largely alone. Steel would be promoted to the Director of Metahuman Affairs, a Cabinet level position wherein he would oversee all metahuman related operations for the federal government.

Among the most notable CBI agents are the aforementioned Sarge Steel, King Faraday, and former Teen Titan Roy Harper. After leaving the Titans, Harper would work for the CBI as a special agent–it was during this period he met Jade Nguyen, the assassin known as Chesire, and conceived their daughter Lian.

Eventually, the CBI would be incorporated into the Department of Extranormal Operations.

The Agency

The Agency was a group led by former Doom Patrol member Valentina Vostok that aimed to monitor superheroes. When Amanda Waller presented her plan to reform Task Force X, the Agency was reorganized into Checkmate. Among its divisions was Project: Peacemaker.

Project: Peacemaker

Project Peacemaker was the program that created and maintained Christopher Smith’s activities as Peacemaker. Originally, Project Peacemaker was a division of the Agency. When Task Force X was revived under Amanda Waller’s proposal, the Agency was reorganized into Checkmate, and Project Peacemaker is implied to have been made its own entity. However, when Task Force X was dissolved after The Janus Directive, Project Peacemaker became folded into Checkmate under the supervision of Sarge Steel.

The Department of Extranormal Affairs (D.E.O.)

In terms of real-world publication, the DEO began in 1998 as DC’s effort to begin consolidating all of the various federal metahuman organizations under one umbrella. In this author’s opinion, this was for the better.

The Department of Extranormal Operations is the U.S. government’s most modern and comprehensive agency to assess and combat metahuman threats through intelligence gathering, field operatives, and their own research.

The DEO conducts extensive research on metahumans and extranormal entities, with various degrees of transparency or consent. The DEO has been depicted to hold individuals against their will in order to study them, to the point of sending either their own agents or other affiliated groups to hunt down subjects that escape. This research seemed to be, in its early depictions, its primary focus. However, the DEO would take broader forays into intelligence, using that information for good… and sometimes to blackmail heroes into working for them.

In most depictions, the DEO is led by Director Bones, a former member of Infinity Inc, who reports to the federal Director of Metahuman Affairs. Bones is the direct supervisor of operative Cameron Chase, who has proved herself an exceptional agent. Through Chase, Kate Spencer–the Manhunter–was brought in to work for the DEO for some time.

The DEO is expansive enough to have several subdivisions within it. One such group was the Department of Metahuman Affairs, where Wonder Woman would work after Infinite Crisis. This subdivision would focus specifically on gathering and preparing intelligence on active metahumans, should the government need it. This subdivision would be led by Sarge Steel, who had left the White House upon the election of Lex Luthor and Luthor’s subsequent appointment of Amanda Waller to Secretary for Metahuman Affairs.

Another group known to be active during Luthor’s presidency was Knightwatch, a more militaristic division that responded to possible metahuman attacks on federal personnel and buildings.

The DEO’s research facilities are detailed in various comics across the 90s. It is gradually revealed that the DEO either maintains or sponsors a variety of training camps and research facilities, sometimes called “orphanages,” that hold metahumans under various states of duress. One example is Secret, the Young Justice member who is shown escaping from a DEO orphanage, and later gets Young Justice’s help shutting down similar experimentation programs. A group of metahumans who escape from the DEO collectively get taken in by the Titans. Conversely, some of the individuals who go on to be the Relative Heroes are depicted to be in a more traditional fostering environment, though it is still connected to the DEO. 

Within the continuity of the Supergirl TV show, as part of the Arrowverse, the DEO is a governmental organization that specifically deals with extraterrestrial threats and encounters.

All Purpose Enforcement Squad (A.P.E.S.)

The All Purpose Enforcement Squad is an international, interdepartmental group of highly trained special agents. APES features most prominently in the Young Justice series, represented by Donald Fite and Ishido Maad. 

While APES has connections to international organizations such as Interpol and Scotland Yard, they seem primarily U.S. based, as APES was the primary group trying to recover Secret, a metahuman who escaped from a DEO research facility.

Project Cadmus

Project Cadmus, sometimes also known as the DNA Project, is a government supported genetic research lab. Cadmus is involved with cloning and gene sequencing for the purpose of creating new life, with their most famous creation being Superboy.

Originally led by Director Paul Westfield, Cadmus employed various scientists engaged with genetic manipulation. The most notorious of these scientists was Dabney Donovan, who created “DNAliens” with inhuman powers. These DNAliens include Dubbilex, the grey skinned, horned telepath who would serve as a mentor to Superboy. Cadmus also employed the adult members of the original Newsboy Legion. These adults cloned themselves to create a new Newsboy Legion, and additionally cloned former NYPD officer Jim Harper–the original Guardian. This new cloned Guardian would serve as head of security of Cadmus.

Donovan was eventually fired from Cadmus due to the extremity of his experiments. Donovan would go on to align himself with The Agenda, another genetic lab responsible for their own Superboy clone: Match. Cadmus would also have an enemy in the form of the Evil Factory, led by Mokkari and Simyan, servants of Darkseid.

After a virus affecting clones and DNAliens breaks out, Cadmus began to receive intense scrutiny. A purification by fire was attempted, with missiles aimed to destroy sections of Metropolis and stop the virus. After the missiles were stopped, Donovan revealed himself to be the mastermind of the virus and killed Westfield, leading Mickey Cannon to be named the new administrative director of Cadmus. This scrutiny forced Cadmus to withdraw from the public eye, going deeper underground.

Under Cannon, Dabney would be kept imprisoned in Cadmus to serve as a scientific advisor under armed guard. Cannon also brought in Serling Roquette to be the new head of genetics–Roquette would eventually be responsible for curing Superboy of the genetic quirk that kept him from aging. Cadmus would continue to withdraw from attention, especially under the presidency of Lex Luthor.

Human Defense Corps

The Human Defense Corps was a group started under President Luthor’s administration with the goal of having an entirely non-metahuman taskforce that could respond to meta-level threats. This was in line with Luthor’s goal of reducing dependency on superheroes, and as such only recruited from decorated military veterans.

A specific subgroup within the Human Defense Corps was Squad K, a division specifically armed and trained to take on Kryptonian targets.

A.R.G.U.S.

You may have noticed that I didn’t put what A.R.G.U.S. stands for up above. That’s because sources disagree. According to the wiki, A.R.G.U.S. stands for Advanced Research Group Uniting Super-humans. A.R.G.U.S. was created post-Flashpoint to be a governmental organization associated with the Department of Homeland Security. Specifically, A.R.G.U.S. aims to support super- and meta-human endeavors, rather than having an antagonistic relationship with the superhuman community.

A.R.G.U.S. took on a life of its own within the TV Arrowverse shows, where it’s called the Advanced Research Group United Support. There, A.R.G.U.S. is the de facto government agency for dealing with metahuman threats. It was formerly led by Amanda Waller before leadership passed to Lyla Michaels. 

Spyral

Before I start to give the details on Spyral, I have to disclaim a few things about it. Spyral was first mentioned in the New Earth timeline, during Grant Morrison’s time with Batman Incorporated (2011). This was immediately before Flashpoint and the New 52 reboot. However, this run of Batman Incorporated kept going within the New Earth continuity past when Flashpoint happened, meaning that the comics had to disclaim that they were still the old continuity, even though the reboot happened. But then! Batman Incorporated (2012) was a direct sequel to the New Earth run, even though this Volume 2 explicitly happens in the post-reboot continuity.

All of this to say, Spyral is an organization that has roots in the New Earth continuity, but was largely fleshed out in the post-Flashpoint universe. Because of the relative lack of information in the pre-Flashpoint continuity, however, we can assume a lot of the later established details can be retroactively applied.

Technically, Spyral is not a U.S. agency. Originally, Spyral was founded during the Cold War to be a United Nations affiliated spy group. The U.N. made former Nazi spy Otto Netz, under the pseudonym Agent Zero, the head of the organization. He was subsequently tasked with recruiting Spyral’s agents and building the organization for the U.N.

Spyral continued into the 80s, at which point Netz was revealed to be a double agent and imprisoned in a lighthouse. Though the organization seemingly collapsed at that point, Spyral’s operations continued. At some point before his imprisonment, Netz recruited Gotham City socialite Kathy Webb Kane into Spyral and tasked her with discovering the identity of the Batman. Kathy developed the Batwoman persona to get close to Batman, though the revelation that Netz was her father caused her to break off contact with both Batman and retreat from Spyral. Kathy Webb Kane was believed to have been killed by Ben Turner, the Bronze Tiger, during his period of being controlled by the League of Assassins.

Netz would be broken out of his imprisonment by the Leviathan Organization, which is a militaristic group led by Talia al Ghul, after her estrangement from her father Ra’s al Ghul. Leviathan seeks to undo much of modern society in order to rebuild the world in a “better” way. Talia set Netz up as Doctor Dedalus to combat Batman and his Batman Incorporated initiative, designing elaborate traps across the globe to keep Bruce Wayne and his operatives occupied. Netz was eventually killed within one of his traps by Damian Wayne, who was attempting to save his father.

It was revealed after Netz’s death that Kathy Webb Kane was still alive, and had faked her own demise in order to become the secret headmistress of Spyral. After Netz’s death, the U.N. officially reactivated Spyral in order to combat Leviathan’s continued growth.

Spyral operates out of St. Hadrian’s Finishing School for Girls. Initially in the New Earth continuity, the school had been a Leviathan facility, training young women as infiltrators and assassins. It was the site of Stephanie Brown’s mission as Batgirl on behalf of Batman Incorporated, and she and Batman managed to stop the Leviathan plot. In the post-Flashpoint continuity, St. Hadrian’s is Spyral’s base, where elite students are trained as spies. It’s assumed that Spyral just took control after ousting Leviathan.

After Dick Grayson was publically unmasked as Nightwing, he joined Spyral to investigate the organization. During this period, he worked with Helena Bertinelli, who was working as the Matron of Spyral. Grayson would continue as Agent 37 of Spyral for some time, until his identity was restored. At that point, he and Bertinelli both returned to Gotham to take up the mantles of Nightwing and Huntress, respectively. With Bertinelli’s departure, directorship of Spyral and the title of Patron passed to Agent-1, the operative known as Tiger
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We're almost at the end of 2023! To celebrate the turning of the year, I wanted to take a quick view back through the comics I read over the last twelve months. Turns out there's... a lot of them.

This isn't 100% perfect, mainly because I'm basing this off the metadata of when comics were added to my computer... I do think there are some comics I added at the end of 2022 but ended up reading in 2023. However, in the interest of being fair, this list won't count those, and is instead only the comics I can confirm I read in 2023.

By my tally, I read 977 comics in 2023 across 78 unique titles. If we assume each comic is 22 pages long, that's 21,494 pages of comics! Of course, some stories are shorter than 22 pages (as if they're splitting with a backup) and some are longer (prestige formats or one-shots). Based on some quick (and quite unscientific) math, I estimate that I spent around four days of my 2023 in the world of DC Comics. And you know what, I'll do it again.

Breaking down my Top 10 single titles, this year I read...

  1. 169 Superman/Adventures of Superman/Action Comics issues
  2. 128 Batman/Detective Comics issues
  3. 104 JSA issues
  4. 56 Suicide Squad issues
  5. 52 Birds of Prey issues
  6. 51 Manhunter issues
  7. 38 Harley Quinn issues
  8. 33 Aquaman issues
  9. 31 Azrael issues
  10. 27 Martian Manhunter issues

Here's the full breakdown of my reading, for those interested:

  • Arsenal (1998) #1-4 [4]
  • JLA/Titans (1998) #1-3 [3]
  • Knight and Squire (2010) #1-6 [6]
  • Monkey Prince (2021) #1-12 [12]
  • Poison Ivy (2022) #1-6 [6]
  • Shadowpact (2006) #1-25 [25]
  • The Question: Pipeline in Detective Comics (1937) #854-864 [11]
  • Trinity (2003) #1-3 [3]
  • Tempest (1996) #1-4 [4]
  • The Atlantis Chronicles (1990) #1-7 [7]
  • Aquaman (1994) #1-20 [20]
  • Aquaman: The Becoming (2021) #1-6 [6]
  • Azrael (1995) #23-46 [24]
  • Sword of Azrael (2022) #1-7 [7]
  • Batgirls (2022) #14-19 [6]
  • Batman (1940) #401-401 [7]
  • Batman: Cacophony (2009) #1-3 [3]
  • Batman: Death and the Maidens (2003) #1-9 [9]
  • Batman Chronicles (1995) #1-23 [23]
  • Batman: Gotham Knights (2000) #33-74 [42]
  • Batman: Turning Points (2000) #1-5 [5]
  • Batman: Killing Time (2022) #1-6 [6]
  • Batman: Urban Legends (2021) #23 [1]
  • Batman Beyond: Neo Year (2022) #1-6 [6]
  • Batman: Mask of the Phantasm (1994) [1]
  • Batman Incorporated (2011) #1-8 [8]
  • Detective Comics (1937) #469-479 [11]
  • Birds of Prey (1999) #22-55, #113-127 [49]
  • Birds of Prey (2023) #1-3 [3]
  • Infinite Crisis Aftermath: The Spectre #1-3 [3]
  • DC Festival of Heroes (2021) [1]
  • DC Power (2023) [1]
  • G'nort's Illustrated (2023) [1]
  • DCeased (2019) #1-6 [6]
  • Green Arrow (2001) #69-72 [4]
  • Green Lantern (1990) #76-77, #92 [3]
  • Green Arrow (1988) #104, #110-111, #125-126 [5]
  • Harley Quinn (2000) #1-38 [38]
  • JSA (1999) #1-87 [87]
  • Manhunter (2004) #1-38 [38]
  • Manhunter in Batman: Streets of Gotham (2009) #1-13 [13]
  • Martian Manhunter (1998) #0-17, #1000000 [19]
  • Martian Manhunter (2019) #1-12 [12]
  • Nightwing (1996) #107-124 [15]
  • Nightwing (2016) #100-107 [8]
  • Tim Drake: Robin (2022) #5-10 [6]
  • The New Champion of Shazam (2022) #1-4 [4]
  • Suicide Squad (1987) #31-66 [36]
  • Suicide Squad (2007) #1-8 [8]
  • Superboy (2011) #1-11 [11]
  • Superman: The Man of Steel (1986) #1-6 [6]
  • Superman (1987) #1-44 [44]
  • Adventures of Superman (1987) #424-467 [44]
  • Action Comics (1938) #584-658 [75]
  • Superman: Son of Kal-El (2021) #7-18 [12]
  • Superboy: The Man of Tomorrow(2023) #1-6 [6]
  • World of Krypton (1979) #1-3 [3]
  • The World of Krypton (1987) #1-4 [4]
  • Batman/Superman: World's Finest (2022) #1-11 [11]
  • World's Finest: Teen Titans (2023) #1-4 [4]
  • World's Finest (1990) #1-3 [3]
  • Swamp Thing Giant (2019) #1-7 [7]
  • Swamp Thing (2016) #1-6 [6]
  • Punchline: The Gotham Game (2022) #1-6 [6]
  • Joker: The Man Who Stopped Laughing (2023) #1-6 [6]
  • Wonder Girl (2021) #1-7 [7]
  • Nubia: Queen of the Amazons (2022) #1-4 [4]
  • Galaxy: The Prettiest Star (2022) [1]
  • Spirit World (2023) #1-6 [6]
  • Salvation Run (2008) #1-7 [7]
  • JSA All Stars (2003) #1-8 [8]
  • Dr. Mid-Nite (1999) #1-3 [3]
  • Animal Man (1988) #1-26 [26]
  • Solo (2004) #1-5 [5]
  • The Legend of Wonder Woman (2016) #1-9 [9]
  • JSA Returns (1999) #1-9 [9]
  • Teen Titans: Year One (2008) #1-6 [6]
  • Suicide Squad (2001) #1-12 [12]
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Nanda Parbat gets used as a League of Assassins base a lot in DC Comics fan media, likely because that was how it was depicted in the Arrow TV show. But I wanted to take a moment and try to impress upon you how cool Nanda Parbat is without having anything to do with Ra’s al Ghul or his League (because usually it usually doesn’t)

What is Nanda Parbat?

Nanda Parbat is a fictional city sequestered up somewhere in the Himalayas. It’s hard to tell exactly where, because the whole premise of Nanda Parbat is that it’s magically hidden.

image

You can’t just walk there; individuals must embark on a pilgrimage to actually get there. Nanda Parbat is as much an idea as it is a real location– when you seek Nanda Parbat, you are looking for spiritual development and revelation.

It’s suggested that only those with good intentions can find the city on their own. However, there are maps to the city which can allow those with evil intent into Nanda Parbat. The map isn’t your typical piece of paper, though. It’s split into abstract components such as a birthmark, or a poem.

Once you’re in Nanda Parbat, time stands still. The city is eternally at peace. Disease does not progress and people do not die. You are the only thing that changes, transformed by your time in the unchanging city.

Who’s Who in Nanda Parbat?

The big name in Nanda Parbat is Rama Kushna, the goddess who inhabits the temple.

image


When people go to Nanda Parbat on their quest for enlightenment, sometimes they find it on their own, and sometimes they have some help from Rama Kushna. She does your typical goddess stuff, such as guiding the hand of virtuous fighters and offering wisdom.

Rama Kushna is also the goddess who made Boston Brand into the hero Deadman after he was murdered. The two have a whole history, but that’s its own thing.

The rest of Nanda Parbat’s population are the monks who reside around the temple. They meditate and reflect on the meaning of everything and guard the Fountain of Youth.

Wait, the Fountain of Youth?

Yes, the Fountain of Youth is a thing in DC Comics. It played a big part in the crossover event The Resurrection of Ra’s al Ghul. Long story short, Ra’s al Ghul died and couldn’t be revived in a Lazarus Pit, so his consciousness spent some time body jumping. The problem was, his spirit would burn out the host bodies, so he hoped to use the Fountain to stabilize himself. The problem is, a rival faction of assassins had come to power when Ra’s was dead, and they want to stop him from getting revived to full strength. They assemble the aforementioned map to get to Nanda Parbat and seek to destroy the Fountain before Ra’s can get to it.

The Resurrection of Ra’s al Ghul is not a kind story to Nanda Parbat. It pretty much gets razed to the ground by the conflict between Ra’s, the rival faction, and Batman.

image

Consequently, the monks explicitly tell Ra’s off for bringing violence and death to the city. The monks channel the power of Rama Kushna and cause an earthquake, forcing everyone to leave the city.

If you’re interested in reading more about Nanda Parbat, I really recommend reading the series 52! There are several appearances of the city in that series, with lots of different characters passing through on their own journeys. I've heard that the Deadman series also has a good bit of the Shifting City in it , but I haven’t read it yet, so I can only recommend it as such.

Now go forth and find enlightenment!

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I'm trying to plot out how I want to use Dreamwidth in concert with my tumblr, and I think the answer is that I'm going to put my more concrete fan-work and meta both here and on tumblr, but I'll keep this place a little less cluttered from my daily thinking and myriad musings. I'm going to figure out how I want my tag system to work (I imagine a lot of it will be similar to my tumblr tags) but I'll keep folks posted on that too.
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